2019/139: Busman's Honeymoon -- Dorothy Sayers [reread]
"Gawdstrewth!" cried Bunter. The mask came off him all in one piece, and nature, red in tooth and claw, leapt like a tiger from ambush. "Gawdstrewth! Would you believe it? All his lordship's vintage port!" He lifted shaking hands to heaven. "You lousy old nosy-parking bitch! You ignorant, interfering old bizzom! Who told you to go poking your long nose into my pantry?" [p. 311]


Having reread and re-enjoyed Gaudy Night -- and discovered that a number of Sayers' novels are available in the public domain, i.e. for free -- I decided to reread the final book in the Wimsey sequence.some spoilers )
2019/138: The Ballad of Black Tom -- Victor LaValle
“The seas will rise and our cities will be swallowed by the oceans... The air will grow so hot we won’t be able to breathe. The world will be remade for Him, and His kind. That white man was afraid of indifference; well, now he’s going to find out what it’s like." [p. 146]


New York, 1924: Charles Thomas Tester -- known on the street as Tommy -- is a mediocre jazzman, a devoted son, and an expert in the art of showing the world what it expects to see.
minor spoilers )
2019/136: A Conspiracy of Truths -- Alexandra Rowland
We were trying to come up with things that were true, but garden-variety truth is so dull. It just doesn't catch the heart and mind the way Truth does, and to tell the Truth, oftentimes you must lie. [p. 324]


An elderly, itinerant storyteller is arrested in the cold northern backwater of Nuryevet, on charges of witchcraft and brazen impertinence. He manages to persuade the judge he's not a witch -- and is then imprisoned on suspicion of spying. no spoilers )
2019/137: Passing Strange -- Ellen Klages
“They make it look so easy, like they were an actual married couple.” She frowned.“At Mona’s, the regulars seem to think they have to pick--who’s the boy, who’s the girl. Babs and Franny aren’t like that. They’re just two women sharing a life together.”
“I know. If I’m in pants, I must be butch. If I wear my hair down, or have lipstick on, I’m a femme.”
“One customer told me that I had to choose, or I wasn’t really --" [p. 133]


Set in San Francisco in 1940, with a framing narrative in a contemporary setting, this is the love story of a comic-cover artist and a cross-dressing nightclub singer. no spoilers )
2019/135: The Secret Countess -- Eva Ibbotson [reread]
"Rupert, none of your servants are socialists, I hope?"
"Good heavens no, I shouldn’t think so. I mean, I haven’t asked. Surely you don’t have to be a socialist to want to have a bath?"
"It often goes together," said Muriel sagely. [p. 122]


A reread of an old favourite: Ibbotson's romances are now published as YA, but when I originally read them they were marketed as general romance. They are all delightful, but I think this -- initially published as A Countess Below Stairs -- is one of my favourites. It's the story of Anna Grazinsky, a countess who has fled the Russian Revolution with her impoverished mother and younger brother, and finds work as a housemaid at Mersham, the stately home of Rupert, Earl of Westerholme.
minor spoilers )
2019/134: The Duchess War -- Courtney Milan
“My dear,” he said. “I give you my word that you’ll have an offer of marriage before I leave. Even if I have to do the job myself.”
She jumped to her feet, pushing away from him. “That’s not funny,” she said, not even bothering to moderate her tone. “It’s not a joke, no matter what you might think, and I’ll thank you to stop treating it as one.” [p. 36]


This novel's been on my Kindle for some time: I was prompted to read it by the recent RWA implosion, and found it enjoyable enough that I intend to read the rest of the 'Brothers Sinister' series.
minor spoilers )
covers of books I read in 2019
* 136 books: 132 fiction, 4 non-fiction
* 106 by women, 29 by men, 1 by a non-binary writer.
* 9 rereads
* 64 fantasy, 19 SF, 21 historical (but I no longer trust my 'historical' tag)

Best five, excluding rereads:
* The Absolute Book -- Elizabeth Knox
* Amberlough -- Lara Elena Donnelly
* Sing for the Coming of the Longest Night -- Katherine Fabian and Iona Datt Sharma
* The Loney -- Andrew Michael Hurley
* Underland -- Robert Macfarlane

Animation! Read more... )
2019/133: Agents of Dreamland -- Caitlin R Kiernan
I am left here alone with myself and the others and with the sizzle of my brains in this woman’s skull, a resonant frequency that perfectly matches white noise, the random signal possessed of a perpetual power supply, and in discrete time, a procession of serially uncorrelated random variables (finite variance, zero mean). [p. 26]


Another of Tor's transformative Lovecraftian novellas. (Previously reviewed: Hammers on Bone by Cassandra Khaw, The Dream-Quest of Vellitt Boe by Kij Johnson.)

This is an unsettling tale of fungal infestation, apocalyptic cults and alien invasion, with a distinctly noir feel and an interesting choice of viewpoint characters. no spoilers )
2019/132: Lord of the Silent -- Elizabeth Peters
... long years of experience with Ramses, and to some extent, Emerson, had taught me how to turn a conversation into a monologue. [p. 674]


I didn't really get into the rhythm of this, the thirteenth in the Amelia Peabody series: this might simply be because I read it in short bursts at a busy time of year. Or it might be because the focus switches so much -- from Amelia, to her son Ramses, to Ramses' wife.
no spoilers )
2019/131: The Maker of Swans -- Padraig O'Donnell
Words, in their minds, were not fixed to things as a tendon is to a muscle. Every particle of creation, to them, was submerged in a flux of words. Everything was contiguous with everything else, the touching of one word or object setting up currents and mutations that seemed never to stop. They described the world by ceaselessly unsettling it... [p. 26]


The Maker of Swans is a beautifully-written but overly obscure gothic novel with strong fantastical elements. probably no spoilers, but who knows )
2019/130: The Fortune Hunters -- Joan Aiken
“It isn’t only that sometimes I can’t remember what I’ve been doing. Now I’m beginning to be afraid—afraid that I might find out.” [loc. 2218]


Annette has recently moved to a small town near the coast. She's experienced three major life events in recent months: the death of her father, a substantial windfall, and an unpleasant bout of 'pneumonia complicated by jaundice', which has left her prone to fits of amnesia.
no spoilers )
2019/129: Gaudy Night -- Dorothy Sayers [reread]
The young were always theoretical; only the middle-aged could realise the deadliness of principles. To subdue one’s self to one’s own ends might be dangerous, but to subdue one’s self to other people’s ends was dust and ashes. Yet there were those, still more unhappy, who envied even the ashy saltiness of those dead sea apples. [loc. 6327]


I think this might have been the first Lord Peter Wimsey novel I read, and it's still my favourite, perhaps because it's told wholly from the viewpoint of Harriet Vane. She's fragile in quite a different way to shell-shocked, upper-class Lord Peter. Harriet, who first appeared on trial in Strong Poison, is labouring under the knowledge that she owes her life to a man who's in love with her. For a weaker woman, or a more Gothic heroine, this would mean a glad surrender to marriage, but Harriet is proud and fiercely independent, and can't countenance an(other) unequal relationship.no spoilers )
2019/128: Wayward Son -- Rainbow Rowell
The therapist said I needed to work through the past to keep it from undermining the present. And I said— Well, I didn’t say anything. I skipped my next appointment and didn’t make any more. [loc. 442]


I very much enjoyed Carry On, and was looking forward to this sequel (which turns out to be the middle volume of a trilogy): I was disappointed, though,mild spoilers )
2019/127: Carry On -- Rainbow Rowell [reread]
(Just when you think you’re having a scene without Simon, he drops in to remind you that everyone else is a supporting character in his catastrophe.) [p. 196]


Reread in preparation for Wayward Son (review coming up!): my original review from 2016 is here. I think I enjoyed it more this time around, not least because I was very much in the mood for something witty and frivolous and romantic -- and it is all those things, as well as being a sharp interrogation of the Harry Potter canon, and an interesting riff on some of J K Rowling's ideas and themes.
2019/126: The Namesake -- Jhumpa Lahiri
At times he feels as if he’s cast himself in a play, acting the part of twins, indistinguishable to the naked eye yet fundamentally different. At times he still feels his old name, painfully and without warning, the way his front tooth had unbearably throbbed in recent weeks after a filling ... [p. 105]

no spoilers )
2019/125: Hannah Green and Her Unfeasibly Mundane Existence -- Michael Marshall Smith
One of the perilous things about being an adult is there comes a point where the doors of your mind open far wider than required by your own concerns. There’s no ceremony when this occurs, and no warning. It simply happens one day and suddenly you find there are seventy things going on at once and you’re flinching amidst a maelstrom of love and lost opportunities and hard choices and the tenacious grasping hands of the past, not to mention tidying the garage. Adults are not distracted for the sake of it, so cut them a little slack. [p. 276]


A cheerful, uplifting and delightful book about things that are not intrinsically cheerful: parents separating, the nature of evil, and people behaving badly.
minor spoilers )
2019/124: A Perfect Spy -- John Le Carré
Never able to resist an opportunity to portray himself on a fresh page, Pym went to work. And though, as was his wont, he took care to improve upon the reality, rearranging the facts to fit his prevailing image of himself, an instinctive caution nevertheless counselled him restraint. [p. 289]


I've given this book a low rating because of my emotional reaction to it -- it's splendidly written, but the sheer, empty inevitability of the ending left me feeling hollow myself.
no spoilers )
2019/123: The Wayward Girls -- Amanda Mason
A couple of nights in a haunted house. A bit of a laugh, really. Only now he can’t sleep and the vague, queasy feeling that he’d had when he’d first arrived in the house hasn’t let up. He has the sense of being … infected with something. [loc. 1777]

minor spoilers )
2019/122: All Among the Barley -- Melissa Harrison
I thought about the photograph of me in Connie's magazine ... my own image pressed into the service of something I hadn't consented to and didn't understand. That this could happen was further proof that I was not a real person, I realised; not real in the way that other people were real: Frank and John and Connie, for example. None of this would ever have happened to them. Perhaps I had made myself up entirely, and kept doing so every day. [loc. 3659]

no spoilers )
2019/121: Idaho -- Emily Ruskovich
He has lost his daughters, but he has also lost the memory of losing them. But he has not lost the loss. [loc. 2867]


An odd, unsettling and (for me) unsatisfying novel. It's set in Idaho, mostly in an isolated house, high on a mountainside, that's cut off by snow every winter.
mild spoilers as per blurb )

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