Tangled Mind

"...Go see what this young man is really like. Then come back and tell me if he truly deserves coal in his stocking."
It was absolutely against protocol. It was wildly inefficient. It was a complete deviation from two centuries of procedure.
"I could leave tomorrow," Noel heard himself say.[loc. 61]

Short sweet Christmas m/m romance novella: Noel Frost, an elf, has been managing the Naughty List Department for over two hundred years. For the last decade, he's pulled the file of Ezra Vince, street artist and befriender of stray cats, who's been on the Naughty List for the last ten years. Noel is something of a stickler for the rules, but Mrs Claus sends him to investigate whether Ezra is actually Naughty or ... the other thing.

I was suffering from a surfeit of pre-Christmas crowds and hecticity: this was the perfect antidote. Nicely written, sweet, humorous and fun. There are more in the 'Claus Encounters' series...

Tenai had come into Dr. Dodson's care raging with a fury so tightly contained that a casual glance might have judged her calm. She was not calm. Daniel did not need to be told this. He knew it from the first moment he saw her. [p.2]

Daniel Dodson is a gifted psychiatrist who's mourning the death of his wife, and struggling to raise their daughter Jenna. He's also fouled his professional record by whistleblowing an abusive colleague. Now he's working at a smaller institution, Lindenwood, where his first patient is a mute 'Jane Doe' who was found on the highway, threatening vehicles with a sword. She cannot be identified, and nobody can communicate with her.

Daniel persuades her to speak. Her name is Tenai, and the tale she tells is a fantastical account of another world where she made a bargain with Lord Death and avenged her family over a lifespan of centuries. Dr Dodson, eminently sensible, diagnoses her thus: "I think you encountered something in this world that you couldn’t live with, and so you invented another world to be from." ( Read more... )

Summer stories had a rhythm and a pattern to them, and she knew in her belly exactly how that one should have ended: with the summer lord rising healed and radiant from his bed to catch the hand of the heroic knight who had saved him... [loc. 556]

The Summer War has the beats and the ambience of the most classic fairytales: a king with three children, a curse with unexpected consequences, a bargain with the fae (in this world known as 'summerlings') that hinges on wording, a heroic princess.( Read more... )

... wizards he knew about sold curses and told fortunes. They did not crawl about inside one's heart and talk from other people's mouths and compel them... [loc. 2560]

Reread: I first read this in the 1990s, I think, and recall liking it: this was before I reviewed everything I read, so I don't know what I thought about it then. This time around, without having reread the two preceding novels of the 'Rusalka' trilogy, I was confused and unengaged.

“... they began to exhibit afflictions.”
“Apophenia being the worst, and most notable,” said Ghrelin. “An uncontrollable, debilitating impulse to spy patterns in everything.”
I glanced at Ana, but she only smiled and wryly said, “Oh, I’m familiar with that one..." [loc. 3361]

Sequel to The Tainted Cup, and second in Bennett's 'Shadow of the Leviathan' trilogy. While this didn't wow me quite as much as the first book -- which was so utterly novel in setting and ambience -- it's still a marvellous read. Bennett continues to explore the Empire of Khanum, in this case by venturing outside it. ( Read more... )

...that’s the problem with rich people in the UK – not only are half of them clinically evil, they’re clinically evil bastards who all went to school together and still haven’t grown up. [loc. 2457]

Maisie Baxter works for Novum, a boutique ethical assassination agency. Her boss is the charismatic Gabby Hawthorne (played, in my head, by Helen Mirren); she shares a flat with Beth, who knows nothing about Maisie's job; she's been single for a while, because she can't have a relationship without revealing her secret double life.

But when a man named Will shows up at two of her jobs, and the target is killed before she can take care of business, she becomes suspicious ( Read more... )

I do know the look of a ruby, in the same way that I know sable and ermine and mink. One always knows where one is going, even if one doesn't quite know how to get there. [loc. 2096]

Reread of a novel first read in the 1990s, which I don't think I've revisited since. Certainly I had forgotten all but a few details: melon balls, a corpse on a horse, boring brother.

Ibiza Surprise is set in the late Sixties. Sarah Cassells is twenty years old, the daughter of impecunious Lord Forsey, and (possibly) 'the swingiest chick this side of Chelsea'. She has trained as a cook, lives in London in a flatshare, and makes a living by catering extravagant dinner parties. Her primary aim in life is to find someone 'decent' (i.e. rich) to marry. ( Read more... )

Adults can draw what they see, the real thing, in their pictures. Children, though, draw the “idea” of what appears in their heads. [p. 82]

Translated from the Japanese by Jim Rion, this short illustrated novel seems at first to be three tenuously-connected novellas. The first begins with a blog on which a man posts some pictures drawn by his wife, who died in childbirth. Each picture has a number... The second story is about a small boy who draws a picture of the apartment block where he lives, and scribbles out the windows of his home. And the third pertains to a grisly unsolved murder mystery, and the implications of the sketch found with the corpse. Gradually, it becomes clear that these are all the same story, or at least all revolve around the same individual.

... it had been said -- it had been believed -- that much of the old, deep magic of Alinor before the coming of the Empire was gone.
The Fall of the Empire had made it clear that that magic was only quiescent... [Plum Duff, loc. 126]

Reread, because (as per the final line of my February 2023 review of Plum Duff) the seventh book in the series really is due soon... I note that on first reading, I found this wintry novel, full of solstice cheer and ancient traditions and the threat of the Dark, less enjoyable than the 'cosier, more mannerist' novels that preceded it. I do think it feels as though the scope of the story is expanding rapidly:  but given the miracles and wonders of the previous pair of novels, that makes more sense to me this time around.( Read more... )

It’s something about the way the shadows fell in Eden, after Eleanor died. It’s the way everything soured: the river ran darker and the clouds hung lower; rich coal seams went dry and healthy children sickened; good luck went bad and sweet dreams spoiled. [p. 49]

When Opal's mother died, Opal lied her way into becoming her brother Jasper's legal guardian. In the decade since then, she's been working hard at awful jobs to try to raise enough money for him to go to a decent school. She's haunted by dreams of the car crash that killed her mother, and by half-forgotten fragments of the book she loved as a child: 'The Underland', by Eleanor Starling. And she's strangely drawn to Starling House, the Gothic mansion on the edge of town. ( Read more... )