I just look at the pictures
Friday, April 12th, 2002 01:06 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Scott McCloud's I Can't Stop Thinking ...
Used to read many more comics than I do now. But tempted all over again by what McCloud writes.
(Should, of course, also be commenting on what Gaiman writes. And it is 'writes', these days. American Gods is a fine book, even considering its relative lack of rivers. And no, it is not 'just the same as Sandman').
But I digress.
Am heading out to buy Transmetropolitan, because I liked what I read. And maybe if it is not solid text I can read it. (Reading solid text, in book form, for more than about 20 minutes sets off twitches, neuralgia, migraines and depression-at-not-having-finished-Years-of-Rice-and-Salt)
Used to read many more comics than I do now. But tempted all over again by what McCloud writes.
(Should, of course, also be commenting on what Gaiman writes. And it is 'writes', these days. American Gods is a fine book, even considering its relative lack of rivers. And no, it is not 'just the same as Sandman').
But I digress.
Am heading out to buy Transmetropolitan, because I liked what I read. And maybe if it is not solid text I can read it. (Reading solid text, in book form, for more than about 20 minutes sets off twitches, neuralgia, migraines and depression-at-not-having-finished-Years-of-Rice-and-Salt)
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Date: Friday, April 12th, 2002 06:57 am (UTC)I have been using them for the last couple of years along with the Tufte books on how to design effective graphical information as excellent guides for web designers on semiotics and perception. They form an excellent counterpoint to the Nielsen/Tog usability axis.
Transmetropolitan is brilliant. And nearly over. Damn. What will Ellis do next?
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Date: Friday, April 12th, 2002 07:35 am (UTC)And yes, though I hadn't really thought of it, they are an excellent primer in layout and semiotics. Hmm. Will review.
What/where Nielsen/Tog?
You can't get Transmetropolitan in the City of London.
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Date: Friday, April 12th, 2002 07:38 am (UTC)no subject
Date: Friday, April 12th, 2002 07:41 am (UTC)no subject
Date: Friday, April 12th, 2002 07:40 am (UTC)This is their company's site (http://www.nngroup.com/)
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Date: Friday, April 12th, 2002 07:45 am (UTC)no subject
Date: Friday, April 12th, 2002 07:53 am (UTC)Which reminds me.
The official collective noun for web designers is a skip intro. So, "see those blokes with number 2s and dark glasses? No, they're not vampires, it's a skip intro of web designers..."
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Date: Friday, April 12th, 2002 08:19 am (UTC)no subject
Date: Friday, April 12th, 2002 08:31 am (UTC)Why aren't you a real person? Oh go on. Show yourself.
No, haven't really chatted about that sort of thing with Geoff - way more likely to be archaeology and (ahem) slash right now ...
... have just had Horrid Image of Archaeological Slash. Carter and Caernarvon [??]. I really wish that hadn't happened.
I know archaeologists
Date: Friday, April 12th, 2002 10:54 am (UTC)no subject
Date: Friday, April 12th, 2002 07:42 am (UTC)no subject
Date: Friday, April 12th, 2002 07:29 am (UTC)Hmm, got anyone in mind when you say this? :-)
And I do still think that in American Gods he's going over the same themes he's already treated in Sandman, good though the novel is (I felt the same about Neverwhere).
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Date: Friday, April 12th, 2002 07:36 am (UTC)Sandman, like Terry Gilliam's classic trio of films, is about story. How we create stories, and how they create us. Neverwhere, in its distorted and mythical London, is about place, and how it shapes the world around it. And finally American Gods is about gods, the gods we make, and the resulting baggage societies carry around with them.
Actually, thinking about that, the theme is actually humanities relationship with itself, looking at three of the mirrors/filters/whatever we throw up to the universe.
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Date: Friday, April 12th, 2002 07:45 am (UTC)[punctuate why]
Gaiman is using some of the same symbols, themes etc but he is telling very different stories in the three books. They are all rooted in myth. But Sandman is about - sorry, 'about' - moral law (like Greek tragedy is 'about' moral law) ... Neverwhere is 'about' the patina of legend that builds up in a city, and how it builds up latterly, post-Victorian ... and American Gods is, heh, about gods.
And America.
No, it's kind of about that same clash of modernity and myth, but it's also to do with adaptation, and with how a sense of belonging is acquired.
Or maybe I mean "I don't know ... ask Neil".
[By the way, I am not disagreeing with Simon here - they're also all about story ...]
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Date: Friday, April 12th, 2002 11:40 am (UTC)Everybody's talking about Scott McLoud ...
Date: Friday, April 12th, 2002 07:49 am (UTC)Coincidence?
Date: Friday, April 12th, 2002 07:57 am (UTC)That is ... 'twas the Beeb site that sent me there. And him on the Front Page, too.
Re: Everybody's talking about Scott McLoud ...
Date: Friday, April 12th, 2002 08:00 am (UTC)/me waves a copy of Zot #1, and points to the big signed print of all the characters from Zot on the lounge wall.
I'm still annoyed that Kitchen Sink went bust before printing volume 4 of the Collected Zot, as I'm missing most of Earth Stories
Do you get the feeling I'm a bit of a Zot fan?