Cultural Catchup

Monday, October 10th, 2011 05:15 pm
[personal profile] tamaranth
It has been a busy few weeks. Not only have I started WERK, I have been ingesting CULTURE, including but not limited to:
- Tinker Tailor Soldier Spy
Very impressive cast: Gary Oldman does a wonderfully subtle shift from quiet civil servant to incredibly menacing spymaster; Mark Strong exudes physical and mental anguish; the Seventies (with that sole swag of tinsel on the Circus tea-trolley, the squeezy tomato in the Wimpy bar, the dim lighting) were grimily realistic; I liked what they did with the homosexual (sub)text, including adding some in. The final ten minutes is a tour de force, all the more powerful for being sans dialogue.

- Warrior
Went to see this on the basis of TOM HARDY, who did not disappoint though this is very much not My Kind of Film. Hollywood-sanitised, family-friendly, heartwarming movie about blokes beating one another to a pulp. Surprisingly unviolent. I continue to be impressed by Mr Hardy's acting: his character in this is really rather unlikeable, but has Depth and Facets.
I did find the ending rather unsatisfactory for nearly all the characters, though, and I'm still not sure whether my perception of who betrayed Tommy's secret is correct.

- The Elixir of Love (Donizetti)
The ENO production of Donizetti's most frivolous opera is set in 1950s America, in Adina's Diner: pretty pastels everywhere, sugary tunes, some blissful duets. Realised that I had been listening to the 2-CD set in the wrong order for a long time -- at least this is one explanation for my complete failure to remember that my favourite bits are in Act Two, not Act One.
The translation was a little clunky, and some of the American accents were ... differently successful. William Robert Allenby's Dulcamara really hit the spot, and his Cadillac was very shiny: Sarah Tynan (Adina) and Ben Johnson (Nemorino) seemed to take a while to warm up. Fun and frothy.

- Mahler, Symphony #8 ('Symphony of A Thousand Nine Hundred and Ninety-Nine')
The finale of Lorin Maazel's Mahler cycle: big in every respect (three choirs, large orchestra, eight solo singers, and the RFH organ (WIP, not yet fully restored); last night's performance was well over the 90-minute mark, and not a single one of those moments was dull. Additional, and unwanted, excitement provided by the collapse during the final movement of one of the double-bass players, who was helped off the stage by colleagues. Apparently shaken but okay. I was impressed by the rapidity of help offered and by Maazel keeping an eye on the basses, and the door behind them, afterwards.
I would have got even more out of this performance if I knew the piece better: as it was, I sat dazed, and hitched a lift with the Muse who was in attendance. (Concerts are brilliant for generating creative inspiration.)

I have also, recently:
- had a chest x-ray (no nasties)
- increased my peak air flow from ~180 to ~350 (still some way to go, but steroid inhaler is fab)
- been to the beach (blissssss)
- been to a barbeque
- had a birthday (thanks to all who sent good wishes or turned up to present in person!)
- had a grand day out with [livejournal.com profile] ladymoonray
- cleaned a lot of data
- read some books
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