Tuesday, October 19th, 2021

2021/122: Perhaps the Stars -- Ada Palmer
...before I've sweated out my term as oarsman on Apollo's flagship, I must lead Utopia to some new world untouched by Distance, where the very oars and sails we use to battle grim Poseidon are undreamed. [loc. 12074]

The long-awaited (and long) finale of the Terra Ignota series. (Too Like the Lightning, Seven Surrenders, The Will to Battle.) I will not attempt to summarise the tetralogy here, except to note that it's set in a 25th century that thinks it's small-u utopian but has elements of dystopia. There are gods (some more Present than others) and monsters (oh, Mycroft), a World War and an ideological war conducted simultaneously, a villain in an underground lair (hmm, more than one of those), reversals and twists, blurred identities, mythic resonances, metamorphoses and miracles, space elevators, and -- regrettably -- spreadsheets, which have not yet gone extinct.

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2021/120: Strong Wine -- A J Demas
"If it would help," said Varazda, deadpan, "I'd be happy to pose as a bizarre girlfriend. I didn't bring any of my gowns with me, but I can always get something ready-made in the market." [loc. 1453]

Third in the series that started with Sword Dance and continued with Saffron Alley: the setting is reminiscent of the classical Mediterranean, though with the names changed, and the protagonists are Damiskos (military veteran) and Varazda (eunuch dancer and spy).

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