[personal profile] tamaranth
2026/049: The Southern Book Club's Guide to Slaying Vampires — Grady Hendrix

"He thinks we’re what we look like on the outside: nice Southern ladies. Let me tell you something…there’s nothing nice about Southern ladies.”[quote]

This does exactly what it says on the cover, and it is a delight. Patricia Campbell is a stay-at-home mother, married to Carter, who is a patronising git who cheats far from the ideal husband, though he does earn enough to keep Patricia and the kids -- Korey and Blue -- in the style to which they are accustomed. Patricia quits one book club because she'd bounced off Cry the Beloved Country and was encouraged to leave by Grace, the woman who ran the book club: instead, she joins a newly-formed book club that mostly seems to read true crime.

Which is probably why, when the charismatic James moves in next door, her initial liking quickly warps into suspicion. Kids -- Black kids -- are going missing, Patricia has been attacked by an elderly neighbour, and her mother-in-law Miss Mary is savaged by a horde of rats. ("She knew what to do if too many people showed up for supper, or if someone arrived early for a party, but what did you do when rats attacked your mother-in-law? Who told you how to cope with that?") James, though, seems so pleasant, even if Miss Mary did take an instant dislike to him. And the book club's menfolk think he's great, and that he'll bring them fortune and prosperity with the investments he encourages them to make.

When Patricia voices her concerns to Carter, his response is to prescribe her antidepressants.

The book club ladies aren't heroic, or super-powered, or even especially confident: they're also somewhat racist (though of course they'd deny that), in that it's a Black woman who has to push the plot along. There is also a great deal of misogyny in this novel, larded with religion, strict etiquette and 1990s politics: enough to make it a horror novel in a subtler key even without the revelation of James' nature.

I really enjoyed this audiobook. Bahni Turpin's narration is smooth, and the story flowed slowly but inexorably. Very impressed, too, by the characterisation of the various women, each of them an individual with a background and a life. And by the fact that their success was rooted in their domestic skills, rather than anything magical or superpowered.

Warnings for violence both mundane and vampiric; for racism (and white saviour-ism); for misogyny; for (off-page) rape and sexual assault.

Think of us what you will, she thought, we made mistakes and probably scarred our children for life, and we froze sandwiches, and forgot carpool, and got divorced. But when the time came, we went the distance.
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