2025/089: The Thief — Megan Whalen Turner
It was a relief to explain everything to her... what I’d thought of the magus in the beginning and what I thought of him in the end. What it meant to be the focus of the gods’ attention, to be their instrument, used to change the shape of the world. And it was nice to brag a little, too. [p. 218]
A reread: my previous read (review) was in 2009, back when I was still reading print books, and acquiring them from BookMooch, which was able to provide copies of the first and second book in the series -- but not the third, or the fourth that had only just been published. They weren't available in UK editions until a few years ago. Now there are six books; I have purchased two as Kindle deals over the last few years; and all six are available via Kindle Unlimited. Sparked by a setting similar to Ancient Greece (though with definite Byzantine overtones, and more technology: watches, glass windows, rifles) I immersed myself, and have read all six in the space of a week. It has been blissful, and I'm sure I've noticed aspects and elements which would have eluded me if I'd read each volume as it became available.
At the start of the book, a young thief named Gen is languishing in the King's prison, having boasted that he can steal anything. He's still working on stealing himself out of prison when the king's magus turns up, wanting a 'proficient but anonymous thief' to help him acquire a mysterious treasure. Together with two useless young noblemen and a professional soldier, Gen and the magus set out. By the end of the book, the treasure has been retrieved, the secret agendas of the party have been revealed, the gods have made their existence known, and Gen has turned out to be the epitome of the unreliable narrator.
I didn't recall much of the book from my first reading, so I went back to the start and admired Turner's deftness with subtle clues. Nothing's explained, but everything's laid out for us to see. Gen is an immensely likeable narrator: I enjoyed his competence and self-reliance nearly as much as his deceptions. (I was reminded of Lymond, though apparently Turner didn't read Dorothy Dunnett's novels until well after The Thief was published. Rosemary Sutcliff, on the other hand, was a major influence.)
Originally a standalone novel, and marketed as YA: nevertheless, there is violence and unpleasantness, and a likeable character dies. I'd have enjoyed it tremendously as an adolescent, but I didn't find it simplistic in style or content. And, having finished it, I immediately acquired the rest of the series.